A Man for All Seasons (1966) 1080p YIFY Movie

A Man for All Seasons (1966) 1080P

The story of Thomas More, who stood up to King Henry VIII when the King rejected the Roman Catholic Church to obtain a divorce and remarriage.

IMDB: 7.94 Likes

  • Genre: Biography | Drama
  • Quality: 1080p
  • Size: 1.85G
  • Resolution: 1792*1080 / 23.976fps
  • Language: English
  • Run Time: 120
  • IMDB Rating: 7.9/10 
  • MPR: G
  • Peers/Seeds: 2 / 2

The Synopsis for A Man for All Seasons (1966) 1080p

The story takes place in 16th century England. But men like Sir Thomas More, who love life yet have the moral fiber to lay down their lives for their principles, are found in every century. Concentrating on the last seven years of English chancellor's life, the struggle between More and his King, Henry VIII, hinges on Henry's determination to break with Rome so he can divorce his current wife and wed again, and good Catholic More's inability to go along with such heresy. More resigns as chancellor, hoping to be able to live out his life as a private citizen. But Henry will settle for nothing less than that the much respected More give public approval to his headstrong course.


The Director and Players for A Man for All Seasons (1966) 1080p

[Director]Fred Zinnemann
[Role:Cromwell]Leo McKern
[Role:Thomas More]Paul Scofield
[Role:Henry VIII]Robert Shaw
[Role:Alice]Wendy Hiller


The Reviews for A Man for All Seasons (1966) 1080p


A ProtestReviewed byCurtis Mark Stratmeyer ([email protected])Vote: 5/10

It is a travesty that this film is not in the top 250. Something is very very wrong with rating system that says The Big Lebowski is a better film. I can't add anything to what has already been said about A Man for All Seasons. Unquestionably one of the greatest films of all time, and stands the test of time. It will be revered as a great film 100 years from now. Will Lebowski? Doubt it. Winner of nearly every award it was nominated for. Best Picture, Best Director, Best Actor, Best Screenplay, etc. One of the few movies that makes my whole being vibrate when I watch it. I am moved to tears in almost every scene because the scene is executed so perfectly. Please IMDb, this must give you pause. Any system that does not put this film in the top 100 borders on insanity or uselessness.

One of the most intelligent and moving films everReviewed byperfectbondVote: 10/10

A Man For All Seasons is an erudite examination of the old Biblical maxim: a man cannot serve two masters. Sir Thomas More (poignantly portrayed by Paul Scofield) struggles to be true to both his faith and his monarch (the lusty and hearty King Henry VIII superbly played by Robert Shaw). I think it is difficult for citizens in our present secular society to truly understand just how central a role religion played in a man's life during the period of the film; it was an age of faith when Christianity exerted the most powerful of influences on one's thinking. On a side note, the American Republic wisely sought a nation that "divided church and state." However, the fine distinction remains that it would be a state informed by faith but not run by the church. The aforementioned exemplary performances by the leads are backed by excellent supporting turns, especially from Orson Welles as the less than saintly Cardinal Wolsey and the eternally ebullient Susannah York as Sir Thomas's daughter Margaret. This is a true masterpiece that richly deserves all the accolades and plaudits it has received.

powerful and misunderstood study of identityReviewed byBrixiaVote: 10/10

This is one of my favorite films. It is of perfect length and pacing, and the script is one of the best ever written. The acting, direction, and design of this movie are uniformly excellent. The segue into Henry VIII's entrance is alone reason for seeing the movie. The production design is top-notch, both beautiful and--unlike many "costume dramas"--not so overwhelming as to lose the actors among outrageous sets and costumes. For an adaptation of a stage play, a remarkable proportion of the action taking place outdoors, with More's house at Chelsea being particularly lovely. It's very easy to see this film superficially as a moral fable, and many people scoff at it as being a stagy morality play. But it's both more subtle and more vibrant that that. The subtlety of Robert Bolt's script lies in its exploration of identity. We're not meant to identify or admire More's religious ideas, which the movie actually tiptoes around. Instead it's what Bolt called More's "adamantine sense of his own self" that the movie really highlights.

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